Tuesday, February 22, 2005

watch with mold and supersaturation
I will take responsibilty for the shitty crop but I will not take responsibilty for the out of focusnessssiousity this fucking peice of shit kodak c7300 ain't no good with close ups. also the camera is ridiculously unresponsive (press button and it decides when to snap the picture---anywhere from .5 to 3 seconds later)
Monday, February 21, 2005
Why Did I Dream of You Last Night?
Why did I dream of you last night?
Now morning is pushing back hair with grey light
Memories strike home, like slaps in the face;
Raised on elbow, I stare at the pale fog
beyond the window.
So many things I had thought forgotten
Return to my mind with stranger pain:
- Like letters that arrive addressed to someone
Who left the house so many years ago.
Sunday, February 20, 2005
FEB. 20. 05
Saturday, February 19, 2005
Thursday, February 17, 2005
PAN SONIC
Pan Sonic is a "band?" I really like. They create really atmospheric minimalist electronic recordings. Some of it is music in the standard sense (melody, beat, patterns and form) some of it is futuristic or organic, sound-scape ambience. They are usually very loved or very hated.
Not so long ago I was playing Pan Sonic and someone said to me, "that is such pretentious crap, thats not music at all ... anyone who listens to it must be just pretending, to sound 'in-the-know' and they are likewise pretentious." Another time I heard it said that Pan Sonics music "sounds like a faulty refrigerator running." The former comment is way off and outrageously egocentric because the person is adhering to the belief that his concept of music is absolute and anything outside of that frame work, outside his notion of what works with sounds in time, is the unacceptable. The 'fridge' comment on the other-hand is not insulting--- in fact, it sounds like a reasonable observation; it wouldnt surprise me in the least if PAN SONIC sampled a fridge. The difference is that when I would say it sounds like a fridge running I wouldnt mean it in a derogatory way, as I am pretty the said observer did.
I guess I've come to change my stance on the definition of music when I listen to glitch/IDM cuz the motive and process and function is so different than those associated with pop or melody based music. I think most people, once they change their preconceived notion of what music 'is', can be much more open to Pan Sonic and some can even come away with real appreciation.
Much of Pan Sonic has a very cold almost scientific feel that is contradistinctive to the warm heart-and-soul feel of most contemporary music, but I think that that 'coldness' is important in today's warm, yet less-than-innovative, pop-art musical culture. Pan Sonic's focus on "sound", both specific and general, is precise and seems very controlled even if it is the opposite (there is often a strange juxtaposition and connection between chance and purpose in extraordinary art, where an artist consistently pulls something off, and it could very well be luck but it seems like mastery--- and vice-versa) So yeah, one second they'll create a collage of what sounds like ice-crystals forming (if you can imagine that sound) and the next minute they'll create a very sophisticated and layered yet incredibly primal and driving percussion "song", using frequencies, tempos or time signatures very rarely used in modern music; theyll tastefully waver between the microscopic and the macroscopic often hauntingly evoking within/around the listener a plethora of feelings that range from aggression to isolation to intrigue. Some of the mood they create reminds me of Angelo Badalamenti, David Lynch's main musical scorer.
I understand that there are a lot of bands using 'glitch' elements in their music and I think thats a good thing for now, but it will be bastardized, once the glitzy-industry types get a hold of it. Anyway, Pan Sonics music isn't necessarily "revolutionary" but it is damn close, I would say so, at the very least give it a "very very very innovative" sticker. Oh yeah, and pushing the boundaries and redefining what is acceptable in music is not pretentious in the least--- but it is important.
-RJB
---
Pan sonic
From Wikipedia, the free encyclopedia.
Pan sonic is a Finnish experimental / electronica music duo, consisting of members Mika Vainio and Ilpo Väisänen. Formed in the early 1990s, with extra member Sami Salo (who later left the group), they now operate from a base in Barcelona to escape the long Finnish winters. Originally, the band was called Panasonic, but the corporation of the same name discovered this and threatened legal action unless it changed. The conflict was resolved, and duo removed the 'a' from their name altogether to become 'Pan sonic'. The missing 'a' still lives on as the title of their 1999 album.
Trivia
• In a climate where sequencing and recording music using computers is standard, the group is known for recording everything live, straight to DAT (Digital Audio Tape) using home-made and modified synthesizers and effect units.
• In the late 1980s, as part of a 'sound performance', they spent 10 hours in a locked room, exposed to a constant low-frequency hum at 125 decibels.
• A lot of their song titles are slight variations and/or combinations of Finnish words, a technique popular in electronic music circles since bands like Autechre began doing it in 1993. For instance, Aaltopiiri means Wave circle.
• The duo performed a gig in London's East End from an armoured car using a 5000 watt sound system similar to the type used by the police to disorient rioters.
Discography
Albums
* Vakio (1995)
* Kulma (1997)
* A (1999)
* Endless (1998) (under the name 'Vainio Väisänen Vega' with Alan Vega)
* Aaltopiiri (2001)
* Kesto (2004)
EP's / Singles
* Panasonic EP (1994)
* Osasto EP (1996)
* Arctic Rangers 2 x7" (1998)
* Medal 12" (1998) (with Alan Vega)
* B (1999)
* Destria (Live) (1999)
External link
http://www.phinnweb.com/panasonic/
Monday, February 14, 2005
Tuesday, February 08, 2005
1957-1961
truth, the truth be:EVerly fucked suzy: stretched suzy, wrecked suzy
forget
that shit, that liar’sstory, that lie
them “sleeping” yeah, drugged:
heads pulled down chin touch chestish mostly
, ah,
cuz “the movie didn’t have much of a plot”-claim,
is one of 12000 teenage deviating tactics
besideand milky Suzy would pay and pay later next February
trouble deep
oh-oh and lore tales tells tell:
she moved on
after dropping the softkid like a wetrock from her redder and wetter womb,
yes, she travelled filth-America and saw 20 beds
the nasty
sad men, and
one electric stood out:
unrecognized emotional might, his
he big-swigging eyes and mouthy letterer,
a tough Brooklyneer named DiMucci;
lovin, showing him love
then just noone knows cruelhappenstance
putting him down,
spitting on love,
innocent and faithless bitch to dothis
but she did like she felt,
against the world and it against her
like everyone, anybody, she ever met.
Leaving him warning
Singing,
warbling waning
“oh-oh-ohhhh”
Most Sweet it is: William Wordsworth
Most Sweet it is
|
|
Most sweet it is with unuplifted eyes
To pace the ground, if path be there or none, While a fair region round the traveller lies Which he forbears again to look upon; Pleased rather with some soft ideal scene, The work of Fancy, or some happy tone Of meditation, slipping in between The beauty coming and the beauty gone. If Thought and Love desert us, from that day Let us break off all commerce with the Muse: With Thought and Love companions of our way, Whate'er the senses take or may refuse, The Mind's internal heaven shall shed her dews Of inspiration on the humblest lay. William Wordsworth |
Monday, February 07, 2005
Kurt Browning and Friends: Demons

Saturday, February 05, 2005
next 7 pics: paintday

I wouldn't finish my attempted still-life so I ripped it up and wipped out this sonova as my subsubmission; 30 seconds of work here is better than 1.5 hours of the water-color. Water-color is an art that requires patience and skill, in short, it's too hard. Troy's fucking still-life display was way too elaborate and...
Trox is responsible for this mess.

Thursday, February 03, 2005
Chance Imagery: George Brecht
This is what I've been looking for; Art's other pole. The article/essay deal here is inspiring--probably won't reach my limbs though.
The Choice
by William Butler Yeats
The intellect of man is forced to choose
perfection of the life, or of the work,
And if it take the second must refuse
A heavenly mansion, raging in the dark.
When all that story's finished, what's the news?
In luck or out the toil has left its mark:
That old perplexity an empty purse,
Or the day's vanity, the night's remorse.